foster care Elexus Hunter and Edited by Colleen Russo Johnson, PhD foster care Elexus Hunter and Edited by Colleen Russo Johnson, PhD

Tragic is Magic: Reclaiming My Story

Tragic is Magic: Reclaiming My Story

Media content has the power to shape perceptions and views on a mass scale. Unfortunately, media portrayals of youth in foster care are often negative and perpetuate unhelpful stereotypes. In this special blog series, The Center for Scholars and Storytellers is exploring this topic from multiple perspectives to inform and inspire the creation of accurate, empowering, and socially responsible media portrayals of foster care. 

Editor’s Note: As I set off on this journey to create a series of blogs on foster care for content creators, I assumed I would approach it like I do most topics, by digging first and foremost into academic research. After conducting dozens of interviews, however, it became abundantly clear that the best way to encourage accurate depictions of foster care is to hear from those who have been directly impacted by the foster care system. It’s true, like many topics, that if you’ve met one person who has been in foster care, you’ve met one person who has been in foster care. You can’t generalize. And that is precisely why through this series of blogs I am striving to bring you multiple stories and perspectives, some of which may surprise you. Today, I am honored to bring you an experience directly from the person who experienced it, the incredible Elexus Hunter. 

I often find myself thinking back to the day I entered foster care. Sometimes I just need to be reminded of how this all started to see how far I’ve come.

I was 16 years old, and my 7-year old sister was clinging to my right leg and my 12-year old brother standing to the left of me - all of us in a state of stupor - not moving a muscle. We stood in the common area of Child Protection Services in San Francisco, CA, just waiting for what felt like an eternity for someone to come get us. 

Unlike the loaded images most people have of social workers coming into homes and whisking taking kids away, I was the one who brought us there. I was the one who insisted we leave.

But I’ll never forget the sense of freedom of no longer being under the rule of our abusers at home, juxtaposed with the panging guilt I felt for bringing us into the system. My siblings were understandably scared and angry at me. But I knew I had to proceed forward and couldn’t look back. There had to be a light at the end of all of this. I could feel it.

What I hadn’t anticipated, however, was how difficult the system would be. That there is always someone to answer to, especially when you are a ward of the state. There wasn’t a manual to how this “system” works, you just had to do whatever was asked of you. Countless court hearings, lawyers, and social workers every time I had to go to court. Moving from house to house in constant fear of whether my siblings and I could stay together, and never having the room to be comfortable. It felt like everyone turned against me--  like I was this resentful teenager with no self control, and that my truth was not real, merely an illusion. 

Simply put, my fight for our freedom from abuse was exhausting. 

This is what happens when you try and get help. 

I’ll never forget my mother regaining custody of my younger siblings; I cried for the both of them because I had nothing left in me to fight for them and save them. It crushed my heart, but I had to let go. Ultimately, it let me enjoy more personal freedom and focus on myself for the first time. I suddenly had the power to be a kid for once in my life and enjoy the end of my highschool experience. I felt like I crammed an entire 16 years into a year and half time span. 

As nice as it was, the absence of someone else loving me and supporting me was second to none. The system, in my experience, was not there to coddle you, embrace you, or provide significant financial freedom upon departure. 

This mattered, because against the odds of youth in foster care, I was accepted to multiple colleges. Even though California had recently extended financial assistance for youth in foster care to age 21, this was not information provided to me, even when I inquired about financial help for college. But I was set on attending college so I sacrificed my social life to work more hours and avoided spending on any non-essentials just to get enough funding for me to pay for college. I also spent endless nights applying to scholarships-- Google became my best friend. I googled every scholarship that I could possibly find and applied. In the end, I was awarded enough money to pay off 4 years of college. 

It was a love and hate relationship while being in the “system” because it’s set up for freedom from unsafe home lives, but the journey is anything from promising. It can make or break you. 

To be labeled as a foster youth in this country frames us as inconsistent, non-dreamers, with no goals and false hope. So we survive by any means necessary to make it out - in hopes that someone sees us for our true self and not our circumstances. Because we do matter.

Since aging out of foster care, I’ve graduated from high school top of my class with a 3.80 GPA, and graduated from Clark Atlanta University with honors, and a job offer. But I felt a responsibility and desire to give back to those in similar situations. Therefore, I started my own nonprofit called Tragic is Magic-- a community organization geared to helping California youth in foster care as they age out of the system, as they navigate receiving financial help and mental health support. 

We’re all in this together. I went against the odds of the system and want to empower others to do the same. I refused to be viewed as an entity of shame, and the only “statistic” I want to be is one of success. 

I chose my ending-- a magical one. 

Advice for content creators:

  • Flip the script - turn tragic into magic. 

  • Show youth who enter foster care on their own accord, not just being swept away by social care workers in the middle of the night. 

  • Portray the complexity of the system, the pros and the cons. 

  • Reflect the success stories of foster care youth aging out of the system to encourage more and change the way we are seen by the public. 

Elexus Hunter 

Founder of Tragic is Magic

Edited by Colleen Russo Johnson, PhD

Senior Fellow of the Center for Scholars and Storytellers

This blog series is supported in part by the UCLA Pritzker Center for Strengthening Children and Families.

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gender & sexuality Brian McAuley, MFA gender & sexuality Brian McAuley, MFA

How to Detox Masculinity

How to Detox Masculinity

Poem by Nayyirah Waheed

Growing up as a sensitive youth who attended a conservative all-boys school, I have often felt out of place amongst my fellow men. Popular television shows like Entourage and movies like The Hangover showed me the ways in which guys were supposed to connect with each other and interact with women, but I struggled to relate to the misogynistic behaviors depicted on the screen and echoed by the men around me. Today, as a writer of films and television, I see the power that popular culture has in shaping our conceptions of manhood; and I believe it’s our responsibility as content creators to detoxify the destructive messaging that has pervaded mainstream media for far too long. 

The term “toxic masculinity” is being used more and more these days, but few are defining exactly what it means and why it must be challenged. So let’s take a look at the startling facts of some recent psychological studies to help shed light on the damaging expectations ingrained by historical patriarchy.

Just this year, the American Psychological Association released new guidelines for practice with men and boys, with more than 40 years of research showing that “traditional masculinity is psychologically harmful and that socializing boys to suppress their emotions causes damage that echoes both inwardly and outwardly.”

For the inward echoes, we need only look to a 2018 CDC report, which revealed that suicide rates among American men are over three times that of women. This imbalance was largely attributed to internalized standards that men shouldn’t express emotions or show vulnerability, thus leading to self-destructive behaviors in lieu of seeking help.

The outward echoes of toxic masculinity can be seen in a 2018 United Nations study on global homicide patterns, which revealed that “intimate partner violence against women and girls is rooted in widely-accepted gender norms about men’s authority… and men’s use of violence to exert control over women. Research shows that men and boys who adhere to rigid views of gender roles and masculinity… are more likely to use violence against a partner.”

 These timely studies amount to a harsh reality that toxic masculinity is killing men and women alike; and that its deadly inheritance is deeply rooted in cultural norms. In order for society to evolve past these damaging traditional viewpoints, we need to look at how portrayals of men in the media have perpetuated harmful behaviors and offer positive alternatives to content creators.

To combat toxic masculinity in popular culture and beyond, here are a few actionable insights for writers:

  1. Show men crying, expressing vulnerability, and seeking help for emotional distress.

  2. Model male characters who are not controlling with their partners, but rather supportive of women’s freedom and independence.

  3. Depict men offering emotional support to each other and holding a safe space for vulnerability.

  4. Avoid glorifying “boys clubs” that encourage traditional masculine repression and misogynistic exclusion. 

  5. Offer representations of equal partnerships where men are not the assumed authority.

  6. Demonstrate how men can stand up to other men who are engaged in toxic rhetoric or behavior against women.

  7. Portray male-female friendships that are not rooted in sexual prospects.

  8. Highlight vulnerability as a male character’s strength, rather than portraying it as an emasculating weakness or the butt of a joke.

 

It’s time to detox masculinity. Starting with the screen.

 

Brian McAuley, MFA

WGA Screenwriter

Adjunct Professor, Columbia University School of the Arts

Collaborator of the Center for Scholars and Storytellers

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